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unknow artist
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The penitent magdalene new3/unknow artist-862979.jpg Painting ID:: 27377 |
mk56 oil on canvas Alessandro Varotari,called il padovanino | ||
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unknow artist
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The penitent magdalene new3/unknow artist-338454.jpg Painting ID:: 27575 |
mk56 oil on canvas Follower of Guido Reni | ||
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Friedrich Heinrich Fuger
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| German Neoclassical Painter, 1751-1818 | ||||
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The Penitent Magdalene new16/Friedrich Heinrich Fuger-465883.jpg Painting ID:: 41535 |
mk164 1808 Neue Pinakothek Munich | ||
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Domenico Tintoretto
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| Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti. | ||||
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The Penitent Magdalene new24/Domenico Tintoretto-839379.jpg Painting ID:: 80284 |
ca. 1598(1598) Oil on canvas cjr | ||
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Domenico Tintoretto
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| Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti. | ||||
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The Penitent Magdalene new25/Domenico Tintoretto-988933.jpg Painting ID:: 84523 |
1598(1598) Medium Oil on canvas cyf | ||
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